Review Sacramento Book Review, September 2008 “At times taking shots at low hanging fruit, this humorous guide to being your very own local elitist will probably be used by those very people it attempts to parody.” --This text refers to an out of print or unavailable edition of this title. Product Description In today’s fast-paced society, who has time to keep up with both the ...(展开全部)

The story of art as it’s never been told before, from the Renaissance to the present day, with more than 300 works of art. How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering painti...(展开全部)

WATERSTONES BOOK OF THE YEAR 2022 THE INSTANT SUNDAY TIMES BESTSELLER 'A long overdue, revisionist history of art by the brilliant Katy Hessel . . . Never stuffy or supercilious, Hessel's book is a revelation and an important first step towards redressing the balance of an art world in which women have been sidelined, stepped over and trampled upon for far too long.' REFINERY29...(展开全部)

Knowledge and expertise are highly valued in today’s business world. These values are introduced at an early age by our education system, and at work, we are assessed based on what we know—on having the answers and solutions. Our need for certainty, to know what’s going on, to have all the answers, exerts strong pressure in our lives. This important book offers an alternative, ...(展开全部)

从文革时期开始，徐冰就以自刻字的方式，开始制作无人能看懂的方块字。历时四年，1987年完成。他一共制作了4000多个新的“汉字”，并且用这些字印成了《析世鉴》（又称《天书》），总共由连续的宣纸和大张的挂幅，以及1200册线装书组成。所有的文字按照宋式排版方式制作而成。 1997年徐冰又发明了英文书法，将26个字母化作常见的字符，最终变成一个成行的表达方式。这次和“天书”不一样的是，徐冰的英文书法是真正可以用于书写的文字。

从文革时期开始，徐冰就以自刻字的方式，开始制作无人能看懂的方块字。历时四年，1987年完成。他一共制作了4000多个新的“汉字”，并且用这些字印成了《析世鉴》（又称《天书》），总共由连续的宣纸和大张的挂幅，以及1200册线装书组成。所有的文字按照宋式排版方式制作而成。 1997年徐冰又发明了英文书法，将26个字母化作常见的字符，最终变成一个成行的表达方式。这次和“天书”不一样的是，徐冰的英文书法是真正可以用于书写的文字。

It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the m...(展开全部)

It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the m...(展开全部)

杰里米·鲍伯戈（Jeremy J. Baumberg，生于1967年），剑桥大学纳米光子中心主任，卡文迪许实验室教授，英国皇家学会会员。因其在纳米光子领域所作的贡献，获杨氏奖（2013）、拉姆福德奖章（2014）、法拉第奖章（2017）。 --------------- 译者简介： 汪婕舒，美国亚利桑那州立大学（ASU）科技人文与社会项目博士研究生，工学硕士，乔治敦大学传播、文化与科技项目硕士，曾任专利审查员和科普编辑，译有多本畅销科普书。热爱科学技术，也关心科技如何为人类创造福祉。目前研究方向为人工智能（AI）的社会影响，以及AI如何帮助人类创新。